Friday, November 11, 2005
The Versions
I just got myself a CD last week, the second album of an 18-year old 'singing sensation' soprano from New Zealand (I won't mention her name, but there aren't many that fit the description). There are 12 tracks in it, which was already a slight disappointment, since her debut international album contained 14 tracks. Some days later, when I surfed into the artist's official website, the greater disappointment set in. There are FOUR (4) different versions of this album - the Japan, UK, US and 'international' version. Each version contains a different track list. The one I got is the international version. While it contains only 12 tracks, the Japan version has 15, and the UK version 16. But the extra tracks are not 'bonus tracks' (which recoding labels are fond of) - there are only about 9 common tracks between the Japan and UK versions. The US version, although also has 12 tracks, has only 11 of them common with the international version. Why? Beats me. No, it doesn't beat me actually - I am quite convinced that the many versions are released on the sole purpose of making more money. To collect all the songs that are released for this 'album', one has to obtain three different versions - the Japan, UK and US. Most unfortunately for me, the international version does not contain a single track that is unique to itself, and not available to the combination of the rest (someone show me a wall I can bang my head into!)
She's not the first, nor the only, to do this. My favourite classical crossover soprano, for example, has over 5 or 6 different versions of her last album released - each one with only 1 or 2 bonus tracks that are different from the others. Then, there's a 'limited edition' one which came with a bonus DVD, and an 'ultimate version' available only in Japan, with a track not available anywhere else in the world. Well, I don't blame the artist - I blame the management (it's easier on me if I don't think badly of the lady whose voice I love). The 'official' reason given for the releasing of so many versions of an album, is that fans in different regions in the world appreciate different bonus tracks. Excuse me? Some hardcore fans had to buy like 4 or 5 copies of the album just to collect all the bonus tracks - and that's not including the single CDs, which will usually contain a single, and probably 2 or 3 remixes of that single (a hardcore fan would want all the different remixes too!). That spells P-R-O-F-I-T. Lots of it.
I don't buy a lot of CDs, don't know much about the many recording artists that there are, but I firmly believe that most of them do exploit their fans using this 'versions' technique, although their true fans are the only ones who'd fork out hard-earned money for original music CDs. And what are the fans' rewards? "There are several versions! Collect them all!" Hmmmph! How about the pasar malam version for RM3 per CD? How do you like that?
Shedding my eye-patch just got a lot harder than I thought!
Friday, October 28, 2005
Many Happy Returns

Birthdays for my friends and I used to come with mandatory elaborate parties complete with food, games, a birthday cake (which was a MUST, since some of the cream on it must end up on someone's face), presents and - sometimes - a trick or two. At times, the elaborate parties were even extended to become slumber parties, without (or with very little of) slumber. In our Fifth Form, each one of us got a cool (some of you may term it 'nasty') trick from the rest.
My absolute favourite is the one where we hid in the birthday girl's room, close to midnight, on the eve of the birthday, and scared the wits out of her (who was coincidentally drowsy with want of sleep at the time). One of the conspirators, the birthday girl's cousin, woke her from her sleep and led her out of the room on the pretext that she was wanted for something. While she was out of the room, we slipped in quietly, found a dark corner / hidden spot each, and crouched down. And Kate (she often comments on this blog, if you don't know it yet) wore a set of false Dracula fangs, and stood behind the door. So there we were - all set, waiting for the poor birthday girl to re-enter her room. Once she did, we all sprang from our hiding places, growling loudly, while Kate stood still, shining a torch upwards to her face, showing the fangs and all. Boy, the effect was superb! The birthday girl jumped and screamed - and I bet her heart must've skipped a few beats too! But of course she calmed down pretty well after that and was thoroughly happy when we gave her her present: The X-Files Soundtrack CD (original one, not pirated!)
Those were the good ol' days. We have them no longer. For some years now, a few SMS greetings, or some e-cards would usually suffice to remind us of our age. Presents from loved ones are extras (thanks, bestfriend!). I'll write about how birthdays are celebrated during my college years some other time.
To conclude, many happy returns to me. :)
Monday, October 24, 2005
Erm~ Pardon Me?
1) When asking students to leave their bags and belongings, please DO NOT let them leave them outside as there were THREE theft cases just today. Let the bags be INSIDE the venue. If the student takes their personal belongings (purses, handphones, etc) into the room, the student MUST put them on the side of the table.
-- "...let them leave them..."? Well ok, bad writing habit, but we get what you mean.
-- "...the student takes their personal belongings..." Cool. 1 student is in charge of everyone's belongings
-- "...at the side of the table..." Wow, that's really asking for too much - how on earth are the belongings going to defy gravity to remain at the side of the table?
2) ...(bla bla bla)... Please be discrete and quiet as the students will probably be having exams.
-- I cannot imagine what else would students be having in Exam venues during Exams time if not having exams.
Now, who wants to slap my wrists for having just posted the contents of somebody's email on the Internet? :D
Saturday, October 22, 2005
Matters of the Heart
It's a complicated matter. Many a time (long time ago), I thought I could do without it. Then, after the first love (followed quickly by the first hurt) I realised that a life not shared with a loving other half will always be incomplete. The heart always yearns to love and to be loved in return, although the process of searching for and obtaining love is always something that I don't appreciate much. Why - being a girl, despite the FCS (female chauvinistic sow) image, you don't walk out there, confront the guy who caught your eyes, and tell him so. You don't grab every single opportunity (or make opportunities) to be with him and hope he notices you. You don't go to him with the sole purpose of flirting with him. At least, I don't. Probably that's why getting noticed by the guys who caught my eyes were extremely difficult for me.
In first year university, I was a little head-over-heels over a classmate, but he was only lukewarm. And then, he went from lukewarm to room temperature, and later, even lesser. And the worst thing was, all the while, I was still classmates with him, which meant I saw him very often, and had to painfully watch him getting increasing interested in another girl - coincidentally, a close friend. It drove me nothing less than crazy. My heart felt as if it would burst with yearning, and I filled pages and pages of diaries and scrap paper with lamentations and poems. And one night, being alone in the house (my housemates having all gone out somewhere) I was almost overwhelmed by thoughts of him, and wildly hoped that he'd give me a call. Then, I got something out to read, bumped into a few difficult words (when you read Austen, Bronte, Dickens and the likes, you're sure to bump into some), got my Oxford dictionary out and looked them up. As my habit would have it, I read also the entries within several pages of the aforesaid difficult words. As fate would have it, I read the definitions (not that I didn't know them) for fond, and subsequently, fondly. And there - second definition for fondly - "in a hopeful way that is silly or unreasonable" - and an example which went "She fondly believed he would phone her" - !!! - I was so taken aback, my brain literally froze for several moments. After the numbness subsided, I felt this very sensible, invisible hand knocking upon my skull "Wake up!". Don't you just hate moments such as these?
I'll repeat myself - it's a complicated matter!
Tuesday, October 11, 2005
A Cause for Heartache
The real thing? Let me run through the entire first-aid-giving scenario again, putting in the practical elements. First, Number 1 and her squad members approach the victim, and Number 4 tries her best to control the traffic - however, given the Malaysian drivers' love for speeding and lack of concentration on the road (not to mention the over-confidence in excellent driving skills which they don't actually possess), probably a car (or worse, a bus or truck) would come head-on and ram into the whole squad, killing all 4 first-aiders and also the victim on the spot. End of story (errr... so fast?)

Ahhhem! - Disclaimer - I am NOT referring to any particular anything. This post is not a personal attack on any parties *wink*
Thursday, October 6, 2005
Stupid Famous People
opinion -> size -> age -> shape -> colour -> origin -> material -> purpose
That means, one must say "a big, red dog" and not a "red, big dog". (Cute Siamese kitten; large sleeping bag; creepy little spider; bla bla etc) However, if there one wants to use two adjectives of the same category (such as "stupid" and "famous") - how would the order be? Or would it be the same in either way?
Does "stupid famous people" mean exactly the same as "famous stupid people"? Seriously speaking, I have no idea - although they sound quite different to me. "Famous stupid people" seems to be describing people who are famous for their stupidity; and "stupid famous people" seems to be describing people, who are famous (for whatever reasons) who happen to be stupid also. Hardly convincing, huh?
We need Professor Blinking-Hell! :D
Monday, October 3, 2005
Creativity Gone Too Far

Alright, first of all, they don't look like biscuits - all too real to be biscuits! But if they are biscuits (regardless of whether made for babies or sick adults) the maker must be truly sick in the head, especially if he meant these biscuits to be consumed - like all biscuits are. I mean - look - they are all cute, adorable newborns, and we're supposed to eat them because they are in fact "biscuits"??? It's so suggestive of cannibalism - "well, I can't eat real babies, so why not eat biscuits made to look like real babies?" It's crazy! I have seen many creative products before - those that are truly beautiful:

- but the "baby biscuits".... Well, I have to say the workmanship is simply marvellous - fancy anyone could make biscuits like those - but the idea of eating them is absolutely nauseating. I seriously hope that the email was a hoax, and there are no such "baby biscuits" sold in our world. (Imagine this: "Hmmm... shall I bite off the head first or the legs first?") Arghhh!
Qualitative Research question for the day: What is enough? When is a lot (of creativity) too much?